　　主要負(fù)責(zé)博物館宣傳、行政管理、博物館教育策劃等，有豐富的博物館管理與教育策劃、執(zhí)行經(jīng)驗。2014年參加美國蓋蒂領(lǐng)導(dǎo)力培訓(xùn)，并以相應(yīng)理論指導(dǎo)工作實踐，形成獨特的團(tuán)隊管理和項目管理體系。2020年被評為文化和旅游部優(yōu)秀專家。國際博協(xié)資源配置委員會成員。

　　主要研究方向為博物館教育和中國古代文化史，先后發(fā)表大都會博物館教育、館校合作、兒童教育、教育策劃、志愿者管理等博物館教育管理與實踐文章；策劃、編撰出版《宮廷活計快樂學(xué)》《故宮博物院課程教材?綜合實踐活動》《宋代官窯瓷器導(dǎo)讀》《蘭亭的故事》《哇，故宮的二十四節(jié)氣》《我要去故宮》《了不起的故宮寶貝》等多個博物館教育讀本；文化史方面發(fā)表陶瓷紋飾考證、中國宮廷傳教士服飾研究、清宮西洋畫家選派等學(xué)術(shù)文章。

　　Dr. Guo Meixia started her career in the Palace Museum in 2003, and currently serves as the chief of The Director’s Office.

　　Her major responsibilities include museum promotion, administrative management and education programs where she has a great deal of professional expertise. In 2014, she attended the training program at Getty Leadership Institute, and later applied and adapted what she had learned from that program to her work, developing distinctive systems of team management and project management in the Palace Museum. In 2020, the title of “Outstanding Expert” was bestowed upon her by China’s Ministry of Culture and Tourism. Besides, she has been the member of Strategic Allocation Review Committee (SAREC), one of the seven Standing Committees of ICOM.

　　Dr. Guo’s work and research mainly focuses on museum education and ancient Chinese cultural history. On museum theories and practices, she has published papers over various topics such as education practices of The Metropolitan Museum of Art, museum-school partnerships, children education, educational program development, and museum volunteer management; and she has also acted as the mastermind and chief editor of a wide range of popular educational books including Handicraft Activities in the Palace Museum, Stories of Orchid Pavilion, A Guide to Guan wares in the Song Dynasty, The Amazing 24 Solar Terms in the Palace Museum, See Inside the Palace Museum, and Old Objects Inspiring Stories. On cultural history, her academic research and results, including the decorative patterns on Chinese ceramics, clothes and accessories of the western missionaries into ancient China, and western painters dispatched to the Qing court, have all been published in authoritative history journals.